
Ask any skilled photographer, they usually’ll let you know that quick 70-200mm f/2.8 telephoto zooms are a staple of their load-outs. These lenses are versatile, they usually can stand as much as the abuse that trendy photographers give them day by day. Right here, we’ll take a fast take a look at 5 of our favourite quick telephoto zooms.
Whether or not you’re an occasion photographer, a marriage photographer, a portrait photographer, or knowledgeable panorama photographer, a quick 70-200mm f/2.8 zoom is a must have. Positive, these lenses are pricey, however these lenses are an excellent funding for working photographers. The photographs you create with them will stun your shoppers, and the lens pays for itself shortly.
If you happen to’re searching for a lens that may cowl a number of genres simply, that may stand up to inclement climate and being bashed round at an occasion, and that may ship top-notch picture high quality — even in difficult situations — you owe it to your self to take a look at the quick telephoto zoom lenses we have now rounded up beneath.
Nikon 70-200mm f/2.8 S — Essential for Z mount cameras
In our evaluate, we mentioned:
“Possibly it’s the razor-sharp optics, the superior colour rendition, the smoothness of the transition to the out-of-focus areas or the standard of the bokeh. Maybe it’s a mix of the entire above. Regardless of the purpose, to my eye, one of the best performer picture quality-wise is arms down the Nikon.”
Darren Miles
Picture Credit score: Darren Miles The monitoring focus is unbelievable, particularly if you happen to’re a marriage photographer. The 70-200mm captures photographs like this with aplomb!
mage Credit score: Darren Miles
mage Credit score: Darren Miles
mage Credit score: Darren Miles
Sony 70-200mm f/2.8 GM OSS II — A brand new customary in quick telephoto zooms

In our evaluate, we mentioned:
“The Sony 70-200mm GM OSS II lens is a must have for a photographer searching for a high-quality, sharp, quick focusing telephoto zoom lens. It’s good in a big selection of situations, however will probably be a blessing to anybody pissed off with the previous lens.”
Managing Editor — Bryan Esler
Tamron 35-150mm f/2-2.8 Di III VXD — A number of prime lenses in a single

In our evaluate, we mentioned:
“If there’s one lens I’m most enthusiastic about for professionals proper now, it’s the Tamron 35-150mm. I believe again on all of the instances the place I’ve needed to shortly change lenses, practically lacking a shot within the course of. The Tamron 35-150mm helps to keep away from these conditions, and actually can exchange two customary occasion or photojournalism lenses. The broad focal vary right here is fantastic to see, and the quick aperture makes for nice pictures in any scenario.”
Managing Editor — Bryan Esler
Olympus 40-150mm f/2.8 Professional — The most effective quick telephoto zooms

The Olympus 40-150mm f/2.8 Professional is a staple in my digital camera bag. This is without doubt one of the finest quick telephoto zoom lenses I’ve ever used. I’ve used this lens for portraits, occasions, panorama images, and extra. It has by no means let me down. Now, paired with the OMDS OM-1 (learn our evaluate right here), the lens is best than ever.
The 40-150-/2.8 Professional is solidly constructed, has formidable climate sealing, focuses like a pace demon, and renders stunning colours. It creates elegant bokeh, and there’s not a touch of distortion or chromatic aberration. If you happen to’re a Micro 4 Thirds photographer and also you want a flexible professional-grade lens, that is the lens for you. Discover out extra about this lens in our full evaluate.
Picture Credit score: Levi Sim
Picture Credit score: Levi Sim
Picture Credit score: Levi Sim
Fujifilm XF 50-140mm f/2.8 R LM OIS WR — Chic colours and sharpness

In our evaluate, we mentioned:
“The Fujifilm XF 50-140mm f/2.8 R LM OIS WR will not be a brand new lens within the Fujifilm lineup, it’s nonetheless a lens that every one Fujifilm photographers ought to dream of proudly owning. It’s that good. The lens is past sharp, it renders probably the most attractive colours and bokeh, it focuses pretty shortly and it’s correct.”
Gear Editor — Brett Day